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Zbigniew Cybulski

Polish actor

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Interest in “Zbigniew Cybulski” spiked on Wikipedia on 2026-02-25.

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2026-01-27Peak: 1602026-02-25
30-day total: 2,119

Key Takeaways

  • Zbigniew Hubert Cybulski ( Polish pronunciation: [ˈzbiɡɲɛf t͡sɨˈbulskʲi] ; 3 November 1927 – 8 January 1967) was a Polish film and theatre actor, one of the best-known and most popular personalities of the post-World War II history of Poland.
  • His role in Andrzej Wajda's 1958 drama film Ashes and Diamonds is widely considered to be his greatest artistic achievement.
  • Life and career Zbigniew Cybulski was born 3 November 1927 in a small village of Kniaże near Śniatyń, Poland (now a part of Kolomyia Raion, Ivano-Frankivsk Oblast, Ukraine).
  • He graduated in 1953 and moved to Gdańsk, where he made his stage debut in Leon Schiller's Wybrzeże Theatre.
  • In the early 1960s, Cybulski moved to Warsaw, where he shortly joined the Kabaret Wagabunda.

Zbigniew Hubert Cybulski (Polish pronunciation: [ˈzbiɡɲɛf t͡sɨˈbulskʲi]; 3 November 1927 – 8 January 1967) was a Polish film and theatre actor, one of the best-known and most popular personalities of the post-World War II history of Poland.

He is known for portraying young rebels in such films as Night Train and Innocent Sorcerers. His role in Andrzej Wajda's 1958 drama film Ashes and Diamonds is widely considered to be his greatest artistic achievement. His iconic image symbolizing youthful rebellion and his tragic death have drawn comparisons to American actor James Dean.

Life and career

Zbigniew Cybulski was born 3 November 1927 in a small village of Kniaże near Śniatyń, Poland (now a part of Kolomyia Raion, Ivano-Frankivsk Oblast, Ukraine). After World War II he joined the Theatre Academy in Kraków. He graduated in 1953 and moved to Gdańsk, where he made his stage debut in Leon Schiller's Wybrzeże Theatre. Also, with his friend Bogumił Kobiela, Cybulski founded a famous student theatre, the Bim-Bom. In the early 1960s, Cybulski moved to Warsaw, where he shortly joined the Kabaret Wagabunda. He also appeared on stage at the Ateneum Theatre, one of the most modern and least conservative Warsaw-based theatres of the epoch.

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