Ulli Lommel
German actor, film director and screenwriter
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Key Takeaways
- Ulli Lommel (21 December 1944 – 2 December 2017) was a German actor and director, noted for his many collaborations with Rainer Werner Fassbinder and his association with the New German Cinema movement.
- He moved to the United States in 1977, where he wrote, directed and starred in over 50 films.
- His father, Ludwig, was a popular radio personality.
- While living in Bad Nauheim as a teenager, Lommel performed with Elvis Presley.
- One of his first film roles was in Russ Meyer's Fanny Hill , in which he starred alongside Italian actress Letícia Román.
Ulli Lommel (21 December 1944 – 2 December 2017) was a German actor and director, noted for his many collaborations with Rainer Werner Fassbinder and his association with the New German Cinema movement. Lommel spent time at The Factory and was a creative associate of Andy Warhol, with whom he made several films and works of art. He moved to the United States in 1977, where he wrote, directed and starred in over 50 films.
Early life
Born in Zielenzig in 1944, a few weeks before the arrival of the Red Army, Lommel's family fled the city, wrapping the infant Ulli in a roll of carpet. His father, Ludwig, was a popular radio personality. His mother was the actress Karla van Cleef.
While living in Bad Nauheim as a teenager, Lommel performed with Elvis Presley.
Career
Lommel started his cinematic career as an actor in the early 1960s. One of his first film roles was in Russ Meyer's Fanny Hill, in which he starred alongside Italian actress Letícia Román. In 1969, he appeared in Rainer Werner Fassbinder's directorial debut Love Is Colder Than Death. The movie, an existentialist film noir, received a shocked and confused response at the Berlin International Film Festival in 1969, but the cast as an ensemble would go on to win an award at the German Film Awards in 1970.
In 1971, Fassbinder's surrealist western Whity, which Lommel produced and starred in the leading role, won several German Film Awards (the German Oscars). Shot in Almería, Spain, in the summer of 1970, the shoot was so tumultuous and grueling that it became the source of inspiration for the subsequent Fassbinder film, Beware of a Holy Whore. Beware of a Holy Whore was a postmodern analysis of Fassbinder's career. in which he used fourth wall methods to poke fun at the trials and tribulations of filmmaking.
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