The Rape of Proserpina
Sculpture by Gian Lorenzo Bernini
Why this is trending
Interest in “The Rape of Proserpina” spiked on Wikipedia on 2026-02-24.
Categorised under Arts & Culture, this article fits a familiar pattern. wt.cat.arts.2
By monitoring millions of daily Wikipedia page views, GlyphSignal helps you spot cultural moments as they happen and understand the stories behind the numbers.
Key Takeaways
- The Rape of Proserpina (Italian: Ratto di Proserpina ), more accurately translated as The Abduction of Proserpina , is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed in 1621 and '22, when Bernini's career was in its early stage.
- It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.
- The choice to depict the myth of Proserpina may relate to the recent death of Pope Paul V, or to the recent empowerment of Ludovico.
- The Rape of Proserpina is made of rare Carrara marble, and was originally placed on a pedestal, since destroyed, with a poem by Maffeo Barberini.
- The detail is notable; for instance, a trickle of tears contributes to the expressiveness of Proserpina's face.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed in 1621 and '22, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.
Cardinal Scipione Borghese commissioned the sculpture and gave it to the newly appointed Cardinal-nephew, Ludovico Ludovisi, possibly as a means of gaining favour. The choice to depict the myth of Proserpina may relate to the recent death of Pope Paul V, or to the recent empowerment of Ludovico. Bernini drew inspiration from Giambologna and Annibale Carracci for the sculpture, which is the only work for which preparatory material survives. The Rape of Proserpina is made of rare Carrara marble, and was originally placed on a pedestal, since destroyed, with a poem by Maffeo Barberini. It has been praised for its realism, as the marble mimics other materials like flesh. The detail is notable; for instance, a trickle of tears contributes to the expressiveness of Proserpina's face.
Content sourced from Wikipedia under CC BY-SA 4.0
