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The Dinner Party

The Dinner Party

Installation artwork by feminist artist Judy Chicago

2 min read

Why this is trending

Interest in “The Dinner Party” spiked on Wikipedia on 2026-02-25.

Categorised under Arts & Culture, this article fits a familiar pattern. wt.cat.arts.2

By monitoring millions of daily Wikipedia page views, GlyphSignal helps you spot cultural moments as they happen and understand the stories behind the numbers.

2026-01-27Peak: 4142026-02-25
30-day total: 10,269

Key Takeaways

  • The Dinner Party is an installation artwork by American feminist artist Judy Chicago.
  • Kali, Judith, Sacajawea, Sojourner Truth, Virginia Woolf, Susan B.
  • Each place setting includes a hand-painted china plate, ceramic cutlery and chalice, and a napkin with an embroidered gold edge.
  • The settings rest on intricately embroidered runners, executed in a variety of needlework styles and techniques.
  • (The man, Kresilas, was included by mistake, as he was thought to have been a woman called Cresilla.

The Dinner Party is an installation artwork by American feminist artist Judy Chicago. There are 39 elaborate place settings on a triangular table for 39 mythical and historical famous women. Kali, Judith, Sacajawea, Sojourner Truth, Virginia Woolf, Susan B. Anthony, and Georgia O'Keeffe are among the symbolic guests.

Each place setting includes a hand-painted china plate, ceramic cutlery and chalice, and a napkin with an embroidered gold edge. Each plate, except the ones corresponding to Sojourner Truth and Ethel Smyth, depicts a brightly colored, elaborately styled vulvar form. The settings rest on intricately embroidered runners, executed in a variety of needlework styles and techniques. The table stands on The Heritage Floor, made up of more than 2,000 white luster-glazed triangular tiles, each inscribed in gold scripts with the name of one of 998 women and one man who have made a mark on history. (The man, Kresilas, was included by mistake, as he was thought to have been a woman called Cresilla.)

The Dinner Party was produced from 1974 to 1979 as a collaboration and first exhibited in 1979. Despite art world resistance, it toured to 16 venues in six countries on three continents to a viewing audience of 15 million. It was retired to storage from 1988 until 1996, as it was beginning to suffer from constant traveling. In 2007, it became a permanent exhibit in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, New York.

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