Tab Hunter

Tab Hunter (born Arthur Andrew Kelm; July 11, 1931 – July 8, 2018) was an American actor, singer, film producer, and author. Known for his blond hair and clean-cut good looks, Hunter starred in more than forty films. During the 1950s and 1960s, in his twenties and thirties, Hunter was a Hollywood heartthrob, acting in numerous roles and appearing on the covers of hundreds of magazines. His notable screen credits include Battle Cry (1955), The Girl He Left Behind (1956), Gunman's Walk (1958), Damn Yankees (1958), Polyester (1981), and Lust in the Dust (1985). Hunter also had a music career in the late 1950s; in 1957, he released the no. 1 hit single "Young Love". Hunter's 2005 autobiography, Tab Hunter Confidential: The Making of a Movie Star, was a New York Times bestseller.

Early life

Arthur Andrew Kelm was born in Manhattan, New York City, the son of Gertrude (née Gelien) and Charles Kelm. Kelm's father was Jewish, and his mother was a German immigrant from Hamburg. He had an older brother, Walter. Kelm's father was reportedly abusive. Within a few years of Kelm's birth, his parents divorced. He was raised in California, living with his mother, his brother, and his maternal grandparents, John Henry and Ida (née Sonnenfleth) Gelien; the family resided in San Francisco, Long Beach and Los Angeles. His mother re-assumed her maiden surname, Gelien, and changed her sons' surnames as well. As a teenager, Arthur Gelien (as he was then known) was a figure skater, competing in both singles and pairs. Gelien was sent to Catholic school by his religious mother.

Gelien joined the United States Coast Guard at age fifteen in 1946, lying about his age to enlist. While in the Coast Guard, he gained the nickname "Hollywood" for his penchant for watching movies rather than going to bars while on liberty. When his superiors discovered his true age, they discharged him. Gelien met actor Dick Clayton socially; Clayton suggested that he become an actor.

Career

1950s

Dick Clayton introduced Gelien to agent Henry Willson, who specialized in representing beefcake male stars such as Robert Wagner and Rock Hudson. It was Willson who named him "Tab Hunter".

Hunter's first film role was a minor part in a film noir, The Lawless (1950). Hunter was a friend of character actor Paul Guilfoyle, who suggested him to director Stuart Heisler; Heisler was looking for an unknown to play the lead in Island of Desire (1952) opposite Linda Darnell. The film, essentially a two-hander between Hunter and Darnell, was a hit.

Hunter supported George Montgomery in Gun Belt (1953), a Western produced by Edward Small. Small used him again for a war film, The Steel Lady (1953), supporting Rod Cameron, and as the lead in an adventure tale, Return to Treasure Island (1954). He began acting on stage, appearing in a production of Our Town. Hunter was then offered, and accepted, a contract at Warner Bros.

One of Hunter's first films for Warner Bros. was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William A. Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1954). It was a solid hit and Hunter began to get more notice.

His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry, which was the year's third most financially successful film. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros.' largest grossing film that year, cementing Hunter's position as one of Hollywood's top young romantic leads.

In September 1955, the tabloid magazine Confidential reported that Hunter had been arrested for disorderly conduct in 1950. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing to the public the sexual orientation of his more prominent client, Rock Hudson. The article had no negative effect on Hunter's career. A few months later, he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 valentines. Hunter, James Dean, and Natalie Wood were the last actors to be placed under an exclusive studio contract at Warner Bros. Warner decided to promote him to star status, teaming him with Natalie Wood in two films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be a hit with audiences. Warners planned a third teaming of Hunter and Wood but Hunter rejected the third picture, thus ending Warners' attempt to make Hunter and Wood the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955 until 1959.

Hunter received strong critical acclaim for a television performance he gave in the debut episode of Playhouse 90 ("Forbidden Area", 1956) written by Rod Serling and directed by John Frankenheimer.

Hunter's acting career was at its peak. William Wellman used him again in a war film, Lafayette Escadrille (1958). Columbia Pictures borrowed him for a Western, Gunman's Walk (1958), in which he played a villian against his usual roletype. Hunter claimed, "When Gunman's Walk premiered the following summer, it was one of the proudest moments of my career." Hunter starred in the musical film Damn Yankees (1958), in which he played Joe Hardy of Washington, D.C.'s American League baseball club. The film had originally been a Broadway musical, and Hunter was the only one in the film version who had not appeared in the original cast. The show was based on the best-selling 1954 book The Year the Yankees Lost the Pennant by Douglass Wallop. Hunter later said the filming was hellish because director George Abbott was interested only in recreating the stage version word for word. He also appeared in the western They Came to Cordura (1959) (with Gary Cooper and Rita Hayworth) and starred in the romantic drama That Kind of Woman (1959) (with Sophia Loren).

Music career

Hunter had a 1957 hit record with the song "Young Love," which was No. 1 on the Billboard Hot 100 chart for six weeks (seven weeks on the UK Chart), and became one of the larger hits of the Rock 'n' Roll era. It sold more than two million copies, and was awarded a gold disc by the RIAA.

Hunter had another hit single, "Ninety-Nine Ways", which peaked at No. 11 in the United States and No. 5 in the United Kingdom. His success prompted Jack L. Warner to enforce the actor's contract with the Warner Bros. studio by banning Dot Records, the label for which Hunter had recorded the single (and which was owned by rival Paramount Pictures), from releasing a follow-up album he had recorded for them. He established Warner Bros. Records specifically for Hunter.

1960s

Hunter's failure to win the role of Tony in the film adaptation of West Side Story (1961) prompted him to agree to star in a weekly television sitcom. The Tab Hunter Show had moderate ratings (due to being scheduled opposite The Ed Sullivan Show) and lasted for one season (1960–61) of 32 episodes. It was a hit in the United Kingdom, where it ranked as one of the most watched situation comedies of the year. Hunter's costars in the series included Richard Erdman, Jerome Cowan, and Reta Shaw.

Hunter had a starring role as Debbie Reynolds's love interest in the romantic comedy The Pleasure of His Company (1961). He played the lead in an Italian swashbuckler shot in Egypt, The Golden Arrow (1962). He was in a war movie for American International Pictures, Operation Bikini (1963). In 1964, he starred on Broadway opposite Tallulah Bankhead in Tennessee Williams' The Milk Train Doesn't Stop Here Anymore.

He had a starring role in Ride the Wild Surf (1964), a surf film for Columbia, followed by a movie in Britain, the crime drama Troubled Waters (1964). He stayed in England to make another picture for AIP, the science fiction film War Gods of the Deep (1965) starring Vincent Price. Back in Hollywood, he had a supporting role in the comedies The Loved One (1965) and Birds Do It (1966). He starred in a film directed by Richard Rush, the low budget comedy The Fickle Finger of Fate (1967).

For a short time in the late 1960s, after several seasons of starring in summer stock and dinner theater in shows such as Bye Bye Birdie, The Tender Trap, Under the Yum Yum Tree, and West Side Story with some of the New York cast, Hunter settled in the south of France and acted in some Italian films including Vengeance Is My Forgiveness (1968), The Last Chance (1968), and Bridge over the Elbe (1969).