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Rigoletto

Rigoletto

1851 opera by Giuseppe Verdi

2 min read

Why this is trending

Interest in “Rigoletto” spiked on Wikipedia on 2026-02-25.

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2026-01-27Peak: 17,1712026-02-25
30-day total: 54,186

Key Takeaways

  • Rigoletto is an opera in three acts by Giuseppe Verdi.
  • Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
  • Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda.
  • The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.
  • He was prominent enough by this time to enjoy some freedom in choosing texts to set to music.

Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.

The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father.

Composition history

La Fenice of Venice commissioned Verdi in 1850 to compose a new opera. He was prominent enough by this time to enjoy some freedom in choosing texts to set to music. He initially asked Francesco Maria Piave (with whom he had already created Ernani, I due Foscari, Macbeth, Il corsaro and Stiffelio) to examine the play Kean by Alexandre Dumas, père, but soon came to believe that they needed to find a more energetic subject.

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