Randy Travis

Randy Bruce Traywick (born May 4, 1959), known professionally as Randy Travis, is an American country and gospel music singer and songwriter, as well as a film and television actor. Active since 1979, he has recorded over 20 studio albums and charted more than 50 singles on Billboard's Hot Country Songs charts, including sixteen that reached the number-one position.

Travis's commercial success began in the mid-1980s with the release of his album Storms of Life, which was certified triple-platinum by the Recording Industry Association of America. He followed up his major-label debut with a string of platinum and multi-platinum albums, but his commercial success declined throughout the 1990s. In 1997, he left Warner Bros. Records for DreamWorks Records; he signed to Word Records for a series of gospel albums beginning in 2000 before transferring back to Warner at the end of the 21st century's first decade. His musical accolades include seven Grammy Awards, eleven ACM Awards, eight Dove Awards, a star on the Hollywood Walk of Fame, and a 2016 induction into the Country Music Hall of Fame. Major songs of his include "On the Other Hand", "Forever and Ever, Amen", "I Told You So", "Hard Rock Bottom of Your Heart", and "Three Wooden Crosses".

He is noted as a key figure in the neotraditional country movement, a return to more traditional sounds within the genre following the country pop crossovers of the early 1980s. Nearly all of his albums were produced or co-produced by Kyle Lehning, and feature frequent co-writing credits from Paul Overstreet, Don Schlitz, and Skip Ewing. Critics have compared his baritone singing voice to other artists such as Lefty Frizzell, Merle Haggard, and George Jones. Since surviving a near-fatal stroke in 2013, which severely limited his singing and speaking ability, he has released archival recordings and made limited public appearances. James Dupré has toured singing Travis's songs with his road band. Between mid-2024 and January 2025, Travis released two new songs where his voice was re-created via artificial intelligence.

Travis's acting career includes roles in the television movies Wind in the Wire (1993) and A Holiday to Remember (1995), as well as the Patrick Swayze movie Black Dog (1998).

Early life

Randy Bruce Traywick was born May 4, 1959, in Marshville, North Carolina. He is the second of six children to Bobbie and Harold Traywick. Harold Traywick worked as a meat packer and also built houses. He also enjoyed listening to country music such as Ernest Tubb and Patsy Cline, in addition to singing, playing guitar, and writing his own songs. By the time Randy was eight years old, his father would send him and his brothers, Ricky and David, to the house of a friend named Kate Magnum, who would teach them how to play guitar. Harold also constructed a stage behind the family house, where he would invite friends over to hear his sons sing. Randy and Ricky performed publicly for the first time in 1968 at a talent show held at the local elementary school; while the brothers did not win, they continued to perform at local talent shows, with David later joining to accompany them on bass guitar.

Randy dropped out of school in the ninth grade. As a teenager, he committed a number of criminal offenses. These included reckless driving after he crashed Ricky's car in a cornfield, breaking into a church to hold a party, driving under the influence, resisting arrest, and stealing knives and watches from a local store. On his seventeenth birthday, Randy was arrested for public intoxication and faced imprisonment. Despite his charges, Don Cusic noted in the 1990 book Randy Travis: The King of the New Country Traditionalists that his parents still supported him, as they would pay his bail and appear in court whenever he was arrested.

In 1977, the Traywicks entered a talent competition held in Charlotte, North Carolina, after hearing an advertisement for it on the radio. The grand prize for the contest was $100 cash and a recording session. The contest consisted of eight semi-final audition rounds held every Tuesday at Country City USA, a nightclub co-owned by Randy's future wife, Mary Elizabeth "Lib" Hatcher. At the performance, Randy played rhythm guitar and sang, while Ricky played lead guitar. However, Ricky had to drop out of the competition partway through because he had to serve time at a youth detention center, leaving Randy to continue as a solo act. Randy ended up winning the competition. Afterward, he held a conversation with Hatcher about his then-impending arrest charges for hot-wiring a neighbor's truck. Hatcher and disc jockey John Harper, who also worked at the club, chose to represent Randy in court, which led to him serving probation and coming under the custody of Hatcher in lieu of a jail sentence. Additionally, Hatcher employed Randy as a singer at Country City USA. During this time, Hatcher advised him on his singing and performance. Harold would attend Randy's performances in this timespan, but was later banned from the club after altercations with patrons.

Music career

1979–1984: Beginnings and initial singles

Hatcher booked a number of country music singers to perform at her club as a means of making connections with country music personnel in Nashville, Tennessee. One such singer, Joe Stampley, agreed to produce a session for Traywick in Nashville. Hatcher paid $10,000 for the recording session and promotion, which was done through an independent label based out of Shreveport, Louisiana, called Paula Records. The session accounted for the singles "She's My Woman" and "I'll Take Any Willing Woman". Traywick and Hatcher promoted copies of the single to radio stations throughout the Southern United States in 1979. The former reached number 91 on Billboard's Hot Country Songs charts. After the failure of these singles, Hatcher and Traywick continued submitting demo recordings to executives but were unable to garner interest at first. In 1981, Traywick and Hatcher chose to move to Nashville to put themselves closer to the center of the country music industry. Despite this, they would still travel back to Charlotte on weekends to tend to business at Country City USA, which by that point had relocated to a larger building. They supported themselves by renting out part of their Nashville house to songwriter and producer Keith Stegall, who used it as an office. Stegall then introduced the two to song publisher and disc jockey Charlie Monk at a golf game, which led to Traywick performing songs for Monk. Stegall also submitted Traywick's demos to various Nashville producers to garner interest in a recording contract. Traywick recorded one session with producer John Ragsdale for the intent of signing him to Curb Records, but the label ultimately chose not to sign him.

In 1982 Hatcher began managing a nightclub called the Nashville Palace through the recommendation of singer Ray Pillow. She initially hired Traywick to wash dishes, but soon began to have him perform there as well. By this point, he began crediting himself as Randy Ray, as he and Hatcher thought the name was easier to pronounce than "Traywick". Hatcher also rented her in-house office space out to other industry executives, including staff of Radio & Records magazine; meanwhile, Randy Ray continued to work on his songwriting under Stegall's mentorship. By the end of the year, Hatcher and Nashville Palace owner John Hobbs financed an independent album titled Randy Ray Live at the Nashville Palace, which consisted of ten songs recorded by him at the Palace. Stegall served as producer on this project. He also auditioned on You Can Be a Star, a talent show on the former Nashville Network (TNN), in early 1983. He placed second behind Lang Scott, who would later marry country singer Linda Davis. Ralph Emery also invited him to perform several times on the TNN talk show Nashville Now, which he hosted.

Despite the exposure from Nashville Now, he still failed to secure a recording contract throughout 1984. Martha Sharp, then working in artists and repertoire (A&R) at Warner Bros. Records's Nashville division, attended a seminar in late 1984 where executives suggested signing attractive young artists with a "traditional" sound. Through mutual contacts with Monk and Stegall, she became aware of Randy Ray, who at the time was working on more songs with the latter. Sharp arranged for him to be signed to a contract initially consisting of four songs. Executives disliked the name "Randy Ray" as they thought it sounded "podunk", and Sharp suggested "Randy Travis".