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Quino

Quino

Argentine cartoonist (1932–2020)

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Interest in “Quino” spiked on Wikipedia on 2026-02-25.

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2026-01-27Peak: 1652026-02-25
30-day total: 2,905

Key Takeaways

  • Joaquín Salvador Lavado Tejón (17 July 1932 – 30 September 2020), better known by his pen name Quino ( Spanish: [ˈkino] ), was an Argentine cartoonist.
  • Early life Joaquín Salvador Lavado Tejón was born in Mendoza, Argentina, on 17 July 1932 to emigrant Andalusian parents from Fuengirola, Málaga.
  • Because of his parents' limited social circle, he spoke with an Andalusian accent until the age of six.
  • He obtained Spanish citizenship in 1990 and remained a dual citizen of Spain and Argentina.
  • In 1945, after the death of his mother, he enrolled and started his studies at Escuela de Bellas Artes de Mendoza.

Joaquín Salvador Lavado Tejón (17 July 1932 – 30 September 2020), better known by his pen name Quino (Spanish: [ˈkino]), was an Argentine cartoonist. His comic strip Mafalda (which ran from 1964 to 1973) is popular in many parts of the Americas and Europe and has been praised for its use of social satire as a commentary on real-life issues.

Early life

Joaquín Salvador Lavado Tejón was born in Mendoza, Argentina, on 17 July 1932 to emigrant Andalusian parents from Fuengirola, Málaga. Following Spanish name tradition, "Lavado" is his first or paternal surname, and "Tejón" his maternal one. Because of his parents' limited social circle, he spoke with an Andalusian accent until the age of six. He retained an affection for his parents' Spanish culture and flamenco into his later years. He obtained Spanish citizenship in 1990 and remained a dual citizen of Spain and Argentina.

He was called "Quino" from his childhood on, to distinguish him from his uncle, the illustrator Joaquín, who helped to awaken his vocation of cartooning at an early age. In 1945, after the death of his mother, he enrolled and started his studies at Escuela de Bellas Artes de Mendoza. Shortly after, his father died in 1948 when Quino was 16 years old. A year later he abandoned his studies, with the intent to become a cartoonist. Soon he would sell his first illustration, an advertisement for a fabric store.

His first humor page was published in the weekly magazine, Esto Es, which led to the publication of other works in many other magazines: Leoplán, TV Guía, Vea y Lea, Damas y Damitas, Usted, Panorama, Adán, Atlántida, Che, the daily Democracia, etc. In 1954, his cartoons became regulars in Rico Tipo, Tía Vicenta, and Dr. Merengue.

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