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Michel Butor

Michel Butor

French poet, novelist, teacher, essayist, art critic and translator

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Key Takeaways

  • Michel Butor ( French: [miʃɛl bytɔʁ] ; 14 September 1926 – 24 August 2016) was a French poet, novelist, teacher, essayist, art critic and translator.
  • His parents were Émile Butor (1891–1960), a railroad inspector and Anna ( née Brajeux, 1896–1972).
  • In 1950–51, he taught French in Minya, Egypt, followed by teaching assignments in Manchester (1951–53), Thessaloniki (1954–55) and Geneva (1956–57).
  • His first novel, Passage de Milan , was published in 1954, followed by L'Emploi du temps (1956), which won the Prix Fénéon, and by La Modification in 1957, which won the Prix Renaudot.
  • In 1960, he was a visiting professor at Bryn Mawr College and Middlebury College.

Michel Butor (French: [miʃɛl bytɔʁ]; 14 September 1926 – 24 August 2016) was a French poet, novelist, teacher, essayist, art critic and translator.

Life and work

Michel Marie François Butor was born in Mons-en-Barœul, a suburb of Lille, the third of seven children. His parents were Émile Butor (1891–1960), a railroad inspector and Anna (née Brajeux, 1896–1972). He studied philosophy at the Sorbonne, graduating in 1947.

In 1950–51, he taught French in Minya, Egypt, followed by teaching assignments in Manchester (1951–53), Thessaloniki (1954–55) and Geneva (1956–57). In 1958, he married Marie-Josèphe (née Mas); they had four daughters.

His first novel, Passage de Milan, was published in 1954, followed by L'Emploi du temps (1956), which won the Prix Fénéon, and by La Modification in 1957, which won the Prix Renaudot. His final novel, Degrés, was published in 1960.

In 1960, he was a visiting professor at Bryn Mawr College and Middlebury College. His travels around the United States at this time resulted in his first experimental book, Mobile, published in 1962 to a controversial reception.

In the following years, he wrote in a variety of forms, from essays to poetry to artist's books. For artist's books he collaborated with artists like Gérard Serée. Literature, painting and travel were subjects particularly dear to Butor. Part of the fascination of his writing is the way it combines the rigorous symmetries that led Roland Barthes to praise him as an epitome of structuralism (exemplified, for instance, by the architectural scheme of Passage de Milan or the calendrical structure of L'emploi du temps) with a lyrical sensibility more akin to Baudelaire than to Robbe-Grillet.

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