Marcelo Fromer
Brazilian guitarist (1961–2001)
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Key Takeaways
- Marcelo Fromer (3 December 1961 – 13 June 2001) was a Brazilian musician who was the guitarist of the rock band Titãs.
- Early life and youth Marcelo Fromer grew up in São Paulo in a house frequently visited by friends like Branco Mello, whom he met in 1974, in the Hugo Sarmento school.
- While studying at Equipe school, he met Tony Bellotto and formed the Trio Mamão with him and Mello.
- Also at Equipe school, he, Mello and other classmates created the "Papagaio" magazine, featuring comics, poetry and texts about the internal decisions of the school.
- Soccer would also play an important role on his life.
Marcelo Fromer (3 December 1961 – 13 June 2001) was a Brazilian musician who was the guitarist of the rock band Titãs. One of the founding members and also the band's manager, he died in 2001 after being hit by a motorcycle while jogging.
Early life and youth
Marcelo Fromer grew up in São Paulo in a house frequently visited by friends like Branco Mello, whom he met in 1974, in the Hugo Sarmento school. When he was 15 years old, he discovered The Beatles, Chico Buarque and the Tropicália, and started having guitar lessons with Luiz Tati, of the group Rumo. While studying at Equipe school, he met Tony Bellotto and formed the Trio Mamão with him and Mello. As he hated singing, he was the only one dedicated exclusively to the acoustic guitar.
Also at Equipe school, he, Mello and other classmates created the "Papagaio" magazine, featuring comics, poetry and texts about the internal decisions of the school. But he would never stop composing and playing. Soccer would also play an important role on his life. Trusty supporter of São Paulo, he managed to train for the young team of the club.
Once he finished school, he entered Linguistics at USP together with Mello, but both quit it two years later.
Works with Titãs
In 1981, Titãs made their first performance (under the name Titãs do Iê-Iê) at the event "A Idade da Pedra Jovem". Fromer decided to play the electric guitar like an acoustic one, without a pick. At the end of the night, his fingers were seriously injured and there was blood all over his white Giannini.
In the early 1980s, he would gather new names of the São Paulo scene in his house to discuss their situation, including a minimum value for their fees and the conditions of the venues they would play in.
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