Luchino Visconti
Italian theatre, opera and cinema director (1906-1976)
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Key Takeaways
- Luchino Visconti di Modrone, Count of Lonate Pozzolo ( Italian: [luˈkiːno viˈskonti di moˈdroːne] ; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter.
- Critic Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.
- His 1943 directorial debut, Ossessione , was condemned by the Fascist regime for its unvarnished depictions of working-class characters, but is today renowned as a pioneering work of Italian cinema, generally regarded as the first neorealist film.
- Visconti's best-known films include Senso (1954) and The Leopard (1963), which are historical melodramas adapted from Italian literary classics, the gritty drama Rocco and His Brothers (1960), and his "German Trilogy" – The Damned (1969), Death in Venice (1971) and Ludwig (1973).
Luchino Visconti di Modrone, Count of Lonate Pozzolo (Italian: [luˈkiːno viˈskonti di moˈdroːne]; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.”
Born into a Milanese noble family with close ties to the artistic world, Visconti began his career in France as an assistant director to Jean Renoir. His 1943 directorial debut, Ossessione, was condemned by the Fascist regime for its unvarnished depictions of working-class characters, but is today renowned as a pioneering work of Italian cinema, generally regarded as the first neorealist film. During World War II, he served in the anti-fascist resistance, and afterwards was active in left-wing politics.
Visconti's best-known films include Senso (1954) and The Leopard (1963), which are historical melodramas adapted from Italian literary classics, the gritty drama Rocco and His Brothers (1960), and his "German Trilogy" – The Damned (1969), Death in Venice (1971) and Ludwig (1973). He was also an accomplished director of operas and stage plays, both in Italy and abroad, and held a close association with La Scala in his hometown of Milan.
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