Käthe Kollwitz
German artist (1867–1945)
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Key Takeaways
- Käthe Kollwitz ( German pronunciation: [kɛːtə kɔlvɪt͡s] born Schmidt ; 8 July 1867 – 22 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture.
- Despite the realism of her early works, her art is now more closely associated with Expressionism.
- Early life Kollwitz was born in Königsberg, Prussia, as the fifth child in her family.
- Her mother, Katherina Schmidt, was the daughter of Julius Rupp, a Lutheran pastor who was expelled from the official Evangelical State Church and founded an independent congregation.
- Her older brother Conrad became a prominent economist of the SPD.
Käthe Kollwitz (German pronunciation: [kɛːtə kɔlvɪt͡s] born Schmidt; 8 July 1867 – 22 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Early life
Kollwitz was born in Königsberg, Prussia, as the fifth child in her family. Her father, Karl Schmidt, was a Social Democrat who became a mason and house builder. Her mother, Katherina Schmidt, was the daughter of Julius Rupp, a Lutheran pastor who was expelled from the official Evangelical State Church and founded an independent congregation. Her education and her art were greatly influenced by her grandfather's lessons in religion and socialism. Her older brother Conrad became a prominent economist of the SPD.
Recognizing her talent, Kollwitz's father arranged for her to begin lessons in drawing and copying plaster casts on 14 August 1879 when she was twelve. In 1885-6 she began her formal study of art under the direction of Karl Stauffer-Bern, a friend of the artist Max Klinger, at the School for Women Artists in Berlin. At sixteen she began working with subjects associated with the Realism movement, making drawings of working people, sailors and peasants she saw in her father's offices. The etchings of Klinger, their technique and social concerns, were an inspiration to Kollwitz.
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