Jonathan Demme

Robert Jonathan Demme ( DEM-ee; February 22, 1944 – April 26, 2017) was an American filmmaker. His career of directing, producing, and screenwriting spanned more than 30 years and 70 feature films, documentaries, and television productions. In addition to being an Academy Award and a Directors Guild of America Award winner, he received nominations for a BAFTA Award, a Golden Globe Award, and three Independent Spirit Awards.

Beginning his career under B-movie producer Roger Corman, Demme made his directorial debut with the 1974 women-in-prison film Caged Heat, before becoming known for his casually humanist films such as Melvin and Howard (1980), Swing Shift (1984), Something Wild (1986), and Married to the Mob (1988). His 1991 psychological horror film The Silence of the Lambs, based on the novel of the same title, won five Academy Awards, including Best Director and Best Picture.

His subsequent films earned similar acclaim, notably the HIV/AIDS-themed drama Philadelphia (1993), the supernatural Gothic horror Beloved (1998), the conspiracy thriller The Manchurian Candidate (2004), and the independent drama Rachel Getting Married (2008). Demme also directed numerous concert films such as Stop Making Sense (1984), Neil Young: Heart of Gold (2006), and Justin Timberlake + The Tennessee Kids (2016), and worked on several television series as both a producer and director.

Early life

Demme was born on February 22, 1944, in Baldwin, New York, the son of Dorothy Louise (née Rogers) and Robert Eugene Demme, a public relations executive. He was raised in Rockville Centre, New York and Miami, where he graduated from Southwest Miami High School before attending the University of Florida.

Career

Early films

Demme broke into feature film working for exploitation film producer Roger Corman early in his career, co-writing and producing Angels Hard as They Come (1971), a motorcycle movie very loosely based on Rashomon, and The Hot Box (1972). He then moved on to directing three films for Corman's studio New World Pictures: Caged Heat (1974), Crazy Mama (1975), and Fighting Mad (1976). After Fighting Mad, Demme directed the comedy film Handle with Care (originally titled Citizens Band, 1977) for Paramount Pictures. The film was well received by critics, but received little promotion, and performed poorly at the box office. He also directed a 1978 episode of Columbo.

Demme's next film, Melvin and Howard (1980), did not get a wide release, but received a groundswell of critical acclaim and film award recognition, including Academy Award nominations, winning two of its three nominations (Academy Award for Best Supporting Actress – Mary Steenburgen, and Academy Award for Best Original Screenplay – Bo Goldman). This acclaim led to the signing of Demme to direct the Goldie Hawn and Kurt Russell star vehicle Swing Shift (1984). Intended as a prestige picture for Warner Bros. as well as a major commercial vehicle for Demme, it instead became a troubled production due to the conflicting visions of Demme and star Hawn. Demme ended up renouncing the finished product, and when the film was released in May 1984, it was generally panned by critics and neglected by moviegoers. After Swing Shift, Demme stepped back from Hollywood to make the Talking Heads concert film Stop Making Sense (also 1984) which won the National Society of Film Critics Award for best documentary; the eclectic screwball action-romantic comedy Something Wild (1986); a film-version of the stage production Swimming to Cambodia (1987), by monologist Spalding Gray; and the New York Mafia-by-way-of Downtown comedy Married to the Mob (1988).

Demme formed his production company, Clinica Estetico, with producers Edward Saxon and Peter Saraf in 1987. They were based out of New York City for fifteen years.

Later films

Demme won the Academy Award for The Silence of the Lambs (1991)—one of only three films to win all the major categories (Best Picture, Best Director, Best Screenplay, Best Actor, and Best Actress). Inspired by his friend Juan Suárez Botas's illness with AIDS and fueled by his own moral convictions, Demme then used his influence to make Philadelphia (1993), one of the first major films to address the AIDS crisis and which garnered star Tom Hanks his first Best Actor Oscar. He also co-directed (with his nephew Ted) the music video for Bruce Springsteen's Best Song Oscar-winning "Streets of Philadelphia" from the film's soundtrack. Jonathan used several of the same actors for both movies.

Subsequently, his films included an adaptation of Toni Morrison's Beloved (1998), and remakes of two films from the 1960s: The Truth About Charlie (2002), based on Charade, that starred Mark Wahlberg in the Cary Grant role; and The Manchurian Candidate (2004), with Denzel Washington and Meryl Streep. Demme's documentary film Man from Plains (2007), a documentary about former U.S. President Jimmy Carter's promotional tour publicizing his book Palestine: Peace Not Apartheid, had its premiere at the Venice Film Festival and Toronto International Film Festival.

His art-house hit Rachel Getting Married (2008) was compared by many critics to Demme's films of the late 1970s and 1980s. It was included in many 2008 "best of" lists, and received numerous awards and nominations, including an Academy Award nomination for Best Actress by lead Anne Hathaway. In 2010, Demme made his first foray into theater, directing Family Week, a play by Beth Henley. The play was produced by MCC Theater and co-starred Rosemarie DeWitt and Kathleen Chalfant.

At one time, Demme was signed on to direct, produce, and write an adaptation of Stephen King's sci-fi novel 11/22/63, but later left the project due to disagreements with King on what should be included in the script.

He returned to the concert documentary format with Justin Timberlake + the Tennessee Kids (2016), which he described as a "performance film, but also a portrait of an artist at a certain moment in the arc of his career", and his last project was a history of rock & roll for the Rock and Roll Hall of Fame compiled from footage from Hall of Fame induction ceremonies set to debut in summer 2017.

Demme directed music videos for artists such as Suburban Lawns, New Order, KRS-One's H.E.A.L. project and Bruce Springsteen. He also produced a compilation of Haitian music called Konbit: Burning Rhythms of Haiti that was released in 1989. (Lou Reed selected Konbit... as one of his 'picks of 1989').

Demme was on the board of directors at Jacob Burns Film Center in Pleasantville, New York. In addition to his role on the board, he curated and hosted a monthly series called Rarely Seen Cinema.

Style

Throughout 1986–2004, Demme was known for his dramatic close-ups in films. This style of close-ups involves the character looking directly into the camera during crucial moments. According to Demme, this was done to put the viewer into the character's shoes. Beginning with Rachel Getting Married (2008), Demme adopted a documentary style of filmmaking.

He was known for his use of recurring supporting players, including Charles Napier, Harry Northup, Tracey Walter, Ann Dowd, LisaGay Hamilton, Kimberly Elise, Paul Lazar, Ron Vawter, Dean Stockwell, Obba Babatundé, Ted Levine, Paul Le Mat, Mary Steenburgen, Jason Robards, Scott Glenn, and his former producer Roger Corman, as well as casting musicians and bands in roles. These included Sister Carol, Chris Isaak, Tunde Adebimpe, the Feelies, Charles Aznavour, Steve Scales, the Flirtations, Manno Charlemagne, Bernie Worrell, David Johansen, Beau Sia, Q Lazzarus, and Rick Springfield. In addition to Corman, Demme cast a number of other fellow directors in cameos, including John Sayles, Agnès Varda, George A. Romero, Sidney Lumet, and John Waters. Many of these performers received opening credits billing in films they appeared in, despite sometimes having only one or two lines.

Writer/director Paul Thomas Anderson has paid homage to Demme in his films and has cited him as a major influence in his work. In an interview, Anderson jokingly stated that the three filmmakers who inspired him the most are "Jonathan Demme, Jonathan Demme and Jonathan Demme." Other directors such as Alexander Payne and Wes Anderson have been known to be inspired by his close-ups in their own work.