Ignatius Sancho

Charles Ignatius Sancho (c. 1729 – 14 December 1780) was a British abolitionist, writer and composer. Considered to have been born on a British slave ship in the Atlantic, Sancho was sold by the British slave traders into slavery in the Spanish Viceroyalty New Granada. After his parents died, Sancho's owner took the two-year-old orphan to Britain and gave him to three sisters living in Greenwich, where he remained for eighteen years. Unable to bear being a servant to them, Sancho ran away to the Montagu House in Blackheath, London where John Montagu, 2nd Duke of Montagu taught him how to read and encouraged Sancho's budding interest in literature. After spending some time as a butler in the household, Sancho left and started his own business as a shopkeeper, while also starting to write and publish various essays, plays and books.

Sancho quickly became involved in the nascent British abolitionist movement, which sought to outlaw both the slave trade and the institution of slavery itself, and he became one of its most devoted supporters. Sancho's status as a property-owner meant he was legally qualified to vote in a general election, a right he exercised in 1774 and 1780, becoming the second known British African to have voted in Britain after John London. Gaining fame in Britain as "the extraordinary Negro", Sancho became, to British abolitionists, a symbol of the humanity of Africans and the immorality of the slave trade and slavery. Sancho died in 1780. The Letters of the Late Ignatius Sancho, an African, edited and published two years after his death, are the first published letter collection by a writer of African descent.

Early life

Charles Ignatius Sancho was born on a slave ship crossing the Atlantic Ocean, in what was known as the Middle Passage. His mother died not long after arriving in the Spanish colony of New Granada, which formed parts of modern-day Colombia, Ecuador, Panama, and Venezuela. He was baptised and named by the Catholic bishop of the colony. His father reportedly took his own life rather than live as a slave.

Sancho's owner took him, then barely two years old, to England and gave him to three unmarried sisters living together in Greenwich, where he lived from 1731 to 1749. The sisters gave him the surname Sancho as they believed he resembled Don Quixote's squire. The Duke of Montagu, a frequent visitor to the sisters, was impressed by Sancho's intellect, frankness, and amiability. He encouraged Sancho to read and lent him books from his personal library at Blackheath.

Life in Britain

Sancho's informal education made his lack of freedom at Greenwich unbearable, and he ran away to Montagu House, Blackheath in 1749.

For two years until her death in 1751, Sancho worked as a butler for the Duchess of Montagu at her residence, where he immersed himself in music, poetry, reading, and writing. Upon her death in 1751, Sancho received an annuity of £30 (equivalent to £6,000 in 2023) and a year's salary.

It may have been at this time that he was freed, but the circumstances of his manumission are unknown.

Marriage

On 17 December 1758 he married a West Indian woman, Anne Osborne (1733-1817), becoming a devoted husband and father. They had seven children: Frances Joanna (1761-1815), Ann Alice (1763-1805), Elizabeth Bruce (1766-1837), Jonathan William (1768-1770), Lydia (1771-1776), Katherine Margaret (1773-1779), and William Leach Osborne (1775-1810). Around the time of the birth of their third child, Sancho became a valet to George Montagu, the son-in-law of his previous patron. Sancho remained a valet until 1773.

In 1768, the British artist Thomas Gainsborough painted a portrait of Sancho at the same time as the Duchess of Montagu sat for her portrait by him. By the late 1760s, Sancho had become well accomplished and was considered by many to be a man of refinement. In 1766, at the height of the debate about slavery, Sancho wrote to Anglo-Irish novelist Laurence Sterne, encouraging the famous writer to lobby for the abolition of the slave trade: "That subject, handled in your striking manner, would ease the yoke (perhaps) of many – but if only of one – Gracious God! – what a feast to a benevolent heart!"

The Portrait of a Man in a Red Suit (oil on canvas 61.8 x 51.5 cm, c. 1757–59; in the Royal Albert Memorial Museum, Exeter, Devon) was thought to be Sancho (although it was also previously thought to be of Olaudah Equiano) and was attributed to Allan Ramsay (1713–1784). A full account of the attribution to Ramsay and identification of Sancho is contained in the article "The Lost African" published in Apollo magazine, August 2006. However both the sitter and artist have since been disputed.

Sterne received Sancho's letter in July 1766 shortly after he had finished writing a conversation between his fictional characters Corporal Trim and his brother Tom in Tristram Shandy, wherein Tom described the mistreatment of an African servant in a sausage shop in Lisbon he had visited. Sterne's widely publicised 27 July 1766 response to Sancho's letter became an integral part of 18th-century abolitionist literature.

There is a strange coincidence, Sancho, in the little events (as well as in the great ones) of this world: for I had been writing a tender tale of the sorrows of a friendless poor negro-girl, and my eyes had scarce done smarting with it, when your letter of recommendation in behalf of so many of her brethren and sisters, came to me – but why her brethren? – or your’s, Sancho! any more than mine? It is by the finest tints, and most insensible gradations, that nature descends from the fairest face about St. James’s, to the sootiest complexion in Africa: at which tint of these, is it, that the ties of blood are to cease? and how many shades must we descend lower still in the scale, ’ere mercy is to vanish with them? – but ’tis no uncommon thing, my good Sancho, for one half of the world to use the other half of it like brutes, & then endeavour to make ’em so."

Following the publication of the Sancho-Sterne letters, Sancho became widely known as a man of letters. Sancho, a British subject and voter in Westminster, noted that despite being in the country since the age of two he felt he was "only a lodger, and hardly that". In other writings he described his life: "Went by water – had a coach home – were gazed at – followed, etc. etc. – but not much abused" (that time). On another occasion, he writes: "They stopped us in the town and most generously insulted us."

Shopkeeper

In 1774, with help from Montagu, Sancho, suffering from ill health with gout, opened a grocery shop, offering merchandise such as tobacco, sugar and tea, at 19 Charles Street in Westminster. These were goods then mostly produced by slaves in the West Indies.

As a shopkeeper Sancho enjoyed more time to socialise, correspond with his many friends, share his enjoyment of literature, and his shop had many visitors. He wrote and published a Theory of Music, though no copy is extant. There are 62 known compositions by Sancho, which were printed in four collections in London between c. 1767 and 1779: Minuets Cotillons & Country Dances, book I (c. 1767), containing 24 dances; A Collection of New Songs (c. 1769), six songs on words of William Shakespeare, David Garrick, Anacreon, and unidentified authors; Minuets, &c., &c., book II (c. 1770), with 20 dances; and Twelve Country Dances for the Year 1779. In addition, he wrote two plays. At this time he also wrote letters and articles for newspapers, under his own name and under the pseudonym "Africanus".

Among his acquaintances were figures such as Thomas Gainsborough, the Shakespearean actor David Garrick, violin virtuoso Felice Giardini, the preacher William Dodd, the sculptor Joseph Nollekens, and the novelist Laurence Sterne. Nollekens gave Sancho a plaster cast of his 1766 marble bust of Sterne. Sancho received many prominent visitors at his shop, including statesman and abolitionist Charles James Fox, who successfully steered a resolution through Parliament pledging it to abolish the slave trade. Fox oversaw a Foreign Slave Trade Bill in spring 1806 that prohibited British subjects from participating in the trading of slaves with the colonies of Britain's wartime enemies, thus eliminating two-thirds of the slave trade passing through British ports.

As a property owner, regardless of his ethnicity, he had the right to vote for Members of Parliament. He voted for the Westminster constituency in the 1774 general election and the 1780 general election. Voting was not secret at the time, and it was recorded that he voted for Hugh Percy and Thomas Pelham-Clinton in 1774, and for George Brydges Rodney and Charles James Fox in 1780. He is the second person of African origin known to have voted in Britain after victualler John London.