Haka

Haka (; singular and plural haka, in both Māori and New Zealand English) are a variety of ceremonial dances in Māori culture. A performance art, haka are often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted accompaniment. Haka have been traditionally performed by both men and women for a variety of social functions within Māori culture. They are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals.

Kapa haka groups are common in schools. The main Māori performing arts competition, Te Matatini, takes place every two years.

New Zealand sports teams' practice of performing a haka to challenge opponents before international matches has made the dance form more widely known around the world. This tradition began with the 1888–89 New Zealand Native football team tour and has been carried on by the New Zealand rugby union team (known as the All Blacks) since 1905. Although popularly associated with the traditional battle preparations of male warriors, conceptions that haka are typically war dances are considered erroneous by Māori scholars, alongside the inaccurate performance of haka by non-Māori.

Etymology

The group of people performing a haka is referred to as a kapa haka (kapa meaning group or team, and also rank or row). The Māori word haka has cognates in other Polynesian languages, for example: Samoan saʻa (saʻasaʻa), Tokelauan haka, Rarotongan ʻaka, Hawaiian haʻa, Marquesan haka, meaning 'to be short-legged' or 'dance'; all from Proto-Polynesian saka, from Proto-Malayo-Polynesian sakaŋ, meaning 'bowlegged'.

History and practice

Overview

Haka is a form of indigenous dance that encompasses multiple ceremonial purposes in Māori culture. As Nathan Matthew explains, "it is a posture dance accompanied by chanted or shouted song... One of the main characteristics of haka are that actions involving all parts of the body are used to emphasise the words."

Origins in Māori tradition

According to Māori tradition, haka originated from a creation story. The sun god, Tama-nui-te-rā, had two wives, the Summer Maid, Hine-raumati, and the Winter Maid, Hine-takurua. Haka originated in the coming of Hine-raumati, whose presence on still, hot days was revealed in a quivering appearance in the air. This was haka of Tāne-rore, the son of Hine-raumati and Tama-nui-te-rā. Hyland comments that "the haka is (and also represents) a natural phenomena [sic]; on hot summer days, the 'shimmering' atmospheric distortion of air emanating from the ground is personified as 'Te Haka a Tānerore'".

Types and functions

Haka includes various forms serving different ceremonial purposes. These functions include:

• welcoming guests (haka pōwhiri),
• fare-welling and mourning the deceased (waiata tangi),
• giving advice or instructions (waiata tohutohu),
• restoring self-respect (pātere),
• intimidating adversaries (peruperu – war dance),
• and transmitting social and political messages (haka taparahi, ngeri).

The peruperu is a war haka that uses weapons, while haka taparahi is performed without weapons and is the more common ceremonial form. Other forms include:

• tūtū ngārahu (similar to peruperu but with sideways jumping),
• whakatū waewae (like peruperu with no jumping),
• manawa wera (like ngeri with no set actions, usually ceremonial and connected with death), and
• kaioraora (hatred or venting haka).

Performance elements

Various actions are employed in haka performance, including facial contortions such as showing the whites of the eyes (pūkana), and poking out the tongue (whetero, performed by men only), and a wide variety of vigorous body actions such as slapping the hands against the body and stomping of the feet. The body serves as the instrument and vessel of delivery, with the key aspect being the words and the message they contain.

18th and 19th centuries

The earliest Europeans to witness haka described them as being "vigorous" and "ferocious". Joseph Banks, who accompanied James Cook on his first voyage to New Zealand in 1769, later recorded:

The War Song and dance consists of Various contortions of the limbs during which the tongue is frequently thrust out incredibly far and the orbits of the eyes enlarged so much that a circle of white is distinctly seen round the Iris: in short nothing is omitted which can render a human shape frightful and deformed, which I suppose they think terrible.

From their arrival in the early 19th century, Christian missionaries tried to eradicate haka, along with other forms of Māori culture that they saw as conflicting with Christian beliefs and practice. Henry Williams, the leader of the Church Missionary Society mission in New Zealand, aimed to replace haka and traditional Māori chants (waiata) with hymns. Missionaries also encouraged European harmonic singing as part of the process of conversion.

The use of haka in welcoming ceremonies for members of the British royal family helped to improve its standing among Europeans. Prince Alfred, the Duke of Edinburgh, was the first royal to visit New Zealand, in 1869. Upon the Duke's arrival at the wharf in Wellington, he was greeted by a vigorous haka. The Wellington Independent reported, "The excitement of the Maoris becomes uncontrollable. They gesticulate, they dance, they throw their weapons wildly in the air, while they yell like fiends let loose. But all this fierce yelling is of the most friendly character. They are bidding the Duke welcome."

Modern haka

In modern times, various haka have been composed to be performed by women and even children. In some haka the men start the performance and women join in later. Haka are performed for various reasons: for welcoming distinguished guests, or to acknowledge great achievements, occasions or funerals.

The 1888–89 New Zealand Native football team began a tradition by performing haka during an international tour. The common use of haka by the national rugby union team before matches, beginning with The Original All Blacks in 1905, has made one type of haka familiar internationally.

Some events have caused protests. The 1979 annual "haka party" parade at the University of Auckland – in which engineering students persisted in parodying haka by painting male genitals on their body and performing with sexually obscene gestures – was disrupted by a collection of Māori and Pacific Island students (He Taua, or The War Party) headed by Ngā Tamatoa, a prominent Māori activist group. For two decades people including Māori students at the university had asked the university and the engineering department to stop the tradition. In 1979, the protesters included Hone Harawira, later a Member of Parliament. Several of the engineering students were assaulted, and members of He Taua were arrested. Their court case in Auckland sparked anti-racism protests outside the courthouse and was supported by a range of people including the president of the Auckland University Students Association.