Guantanamera
Cuban folk song
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Key Takeaways
- " Guantanamera " ( pronounced [ɡwantanaˈmeɾa] ; Spanish for 'The woman from Guantánamo') is a Cuban patriotic song with lyrics from a poem by the Cuban poet José Martí.
- The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record occurred).
- The song has notably been covered or interpreted by Celia Cruz, Compay Segundo and Wyclef Jean.
- Some claim that the song's structure actually came from Herminio "El Diablo" García Wilson, who could be credited as a co-composer.
- Regardless of either claim, Fernández can safely be claimed as being the first to promote the song widely through his radio programs.
"Guantanamera" (pronounced [ɡwantanaˈmeɾa]; Spanish for 'The woman from Guantánamo') is a Cuban patriotic song with lyrics from a poem by the Cuban poet José Martí. It is an expression of love for Cuba and of solidarity with the poor people of the world.
The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record occurred). In 1966, a version by American vocal group the Sandpipers, based on an arrangement by the Weavers from their May 1963 Carnegie Hall Reunion concert, became an international hit. The song has notably been covered or interpreted by Celia Cruz, Compay Segundo and Wyclef Jean.
Music
The music for the song is sometimes also attributed to Joseíto Fernández, who claimed to have written it at various dates (consensus puts 1929 as its year of origin), and who used it regularly in one of his radio programs. Some claim that the song's structure actually came from Herminio "El Diablo" García Wilson, who could be credited as a co-composer. García's heirs took the matter to court decades later, but lost the case; the People's Supreme Court of Cuba credited Fernández as the sole composer of the music in 1993. Regardless of either claim, Fernández can safely be claimed as being the first to promote the song widely through his radio programs.
Pete Seeger version
Shortly after the Weavers' Carnegie Hall reunion concert recording in May 1963, Pete Seeger included the song on his album We Shall Overcome, which was also performed live at Carnegie Hall. Seeger's recording is described by Stewart Mason at AllMusic as the "definitive version" of the song.
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