Grazia Deledda
Italian writer (1871–1936)
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Key Takeaways
- Grazia Maria Cosima Damiana Deledda ( Italian: [ˈɡrattsja deˈlɛdda] ; Sardinian: Gràssia or Gràtzia Deledda [ˈɡɾa(t)si.
- Sardinia] and with depth and sympathy deal with human problems in general".
- Biography Deledda was born in Nuoro, Sardinia, into a middle-class family, to Giovanni Antonio Deledda and Francesca Cambosu, as the fourth of seven siblings.
- It was during this time that she started displaying an interest in writing short novels, mostly inspired by the life of Sardinian peasants and their struggles.
- Some of Deledda's early works were published in the fashion magazine L'ultima moda between 1888 and 1889.
Grazia Maria Cosima Damiana Deledda (Italian: [ˈɡrattsja deˈlɛdda]; Sardinian: Gràssia or Gràtzia Deledda [ˈɡɾa(t)si.a ðɛˈlɛɖːa]; 27 September 1871 – 15 August 1936) was an Italian writer who received the Nobel Prize for Literature in 1926 "for her idealistically inspired writings which with plastic clarity picture the life on her native island [i.e. Sardinia] and with depth and sympathy deal with human problems in general". She was the first Italian woman to receive the prize, and only the second woman in general after Selma Lagerlöf was awarded hers in 1909.
Biography
Deledda was born in Nuoro, Sardinia, into a middle-class family, to Giovanni Antonio Deledda and Francesca Cambosu, as the fourth of seven siblings. She attended elementary school (the minimum required at the time) and was then educated by a private tutor (a guest of one of her relatives) and moved on to study literature on her own. It was during this time that she started displaying an interest in writing short novels, mostly inspired by the life of Sardinian peasants and their struggles. Her teacher encouraged her to submit her writing to a newspaper and, at age 13, her first story was published in a local journal. Some of Deledda's early works were published in the fashion magazine L'ultima moda between 1888 and 1889. In 1890 Trevisani published Nell'azzurro (Into the Blue), her first collection of short stories. Deledda's main focus was the representation of poverty and the struggles associated with it through a combination of imaginary and autobiographical elements. Her family wasn't particularly supportive of her desire to write.
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