Estelle Harris
American actress (1928–2022)
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Key Takeaways
- Estelle Harris ( née Nussbaum ; April 22, 1928 – April 2, 2022) was an American actress and comedian, known for her exaggeratedly shrill voice.
- Her other roles included the voice of Mrs.
- During her career, Harris starred in various television commercials.
- For many years, her date of birth was mistakenly cited as April 4, 1928.
- In 1935, when Harris was seven years old, the family relocated to Tarentum, Pennsylvania.
Estelle Harris (née Nussbaum; April 22, 1928 – April 2, 2022) was an American actress and comedian, known for her exaggeratedly shrill voice. She was best known for her role as Estelle Costanza on Seinfeld. Her other roles included the voice of Mrs. Potato Head in the Toy Story franchise, Muriel in The Suite Life of Zack & Cody, and Mama Gunda in Tarzan II. During her career, Harris starred in various television commercials.
Early life and education
Harris was born Estelle Nussbaum in the Hell's Kitchen neighborhood of Manhattan, New York on April 22, 1928, the younger of two daughters of Isaac ('Ira') and Anna Nussbaum, Polish-Jewish immigrants who owned a candy store and soda shop. For many years, her date of birth was mistakenly cited as April 4, 1928. The correct date was not revealed until after her death. In 1935, when Harris was seven years old, the family relocated to Tarentum, Pennsylvania. She graduated from Tarentum High School.
Career
Harris began her career in amateur productions and in dinner theater before moving on to regional theaters and summer stock productions across the country.
After her children were grown, she found success on Madison Avenue, appearing in 25 national television commercials. In one commercial, she energetically sang the praises of Handi-Wrap II.
In 1977, Harris began her long format acting career in the film Looking Up about three generations of a working-class Jewish family in New York City. She became widely known for her supporting role as Estelle Costanza on Seinfeld. "She is the mother that everybody loves, even though she's a pain in the neck," Harris told the Pittsburgh Post-Gazette in 1998. Despite her iconic role, she was highly reclusive.
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