Ermanno Olmi
Italian film director and screenwriter (1931–2018)
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Key Takeaways
- Ermanno Olmi (24 July 1931 – 7 May 2018) was an Italian film director and screenwriter best known for directing Il Posto (1961) and The Tree of Wooden Clogs (1977), which won the Palme d'Or.
- Early life Olmi was born to a working-class Catholic family in Bergamo, in the Lombardy region in northern Italy, and raised in nearby Treviglio.
- At age 16, Olmi began working there as a messenger.
- He began taking art classes and convinced Edison-Volta to start a documentary division.
- Olmi's first feature film, Time Stood Still began as a corporate documentary about a hydroelectric dam.
Ermanno Olmi (24 July 1931 – 7 May 2018) was an Italian film director and screenwriter best known for directing Il Posto (1961) and The Tree of Wooden Clogs (1977), which won the Palme d'Or. Throughout his career Olmi blended Italian neorealism with Christian humanism, with many of his films following humble characters through the spiritual trials of harsh conditions.
Early life
Olmi was born to a working-class Catholic family in Bergamo, in the Lombardy region in northern Italy, and raised in nearby Treviglio.
When Olmi was three years old, his family moved to Milan, where his parents found work with the utility company Edison-Volta. At age 16, Olmi began working there as a messenger. Olmi was initially interested in architecture, but was inspired to pursue cinema by the works of Roberto Rossellini. He began taking art classes and convinced Edison-Volta to start a documentary division. As head of the new division, Olmi made as many as 40 corporate documentaries.
Olmi's first feature film, Time Stood Still began as a corporate documentary about a hydroelectric dam.
Career
Olmi's first scripted film was the acclaimed Il Posto, which follows a young man entering corporate life. Parts of the story were drawn from Olmi's experiences working in Milan. The film starred non-professional actor Loredana Detto, who Olmi later married.
Following from his humble start in corporate documentaries, Olmi typically helmed minimal productions, often writing, directing, filming, and editing the films himself.
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