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Dolores del Río

Dolores del Río

Mexican actress (1904–1983)

2 min read

Why this is trending

Interest in “Dolores del Río” spiked on Wikipedia on 2026-02-25.

Categorised under Entertainment, this article fits a familiar pattern. Entertainment topics frequently surge on Wikipedia following major media events, premieres, or unexpected celebrity developments.

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2026-01-27Peak: 7962026-02-25
30-day total: 19,670

Key Takeaways

  • María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río ( Spanish pronunciation: [doˈloɾes del ˈri.
  • With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood.
  • After being discovered in Mexico, she began her film career in Hollywood in 1925.
  • Del Río came to be considered a sort of feminine version of Rudolph Valentino, a ‘female Latin Lover’, in her years during the American silent era.
  • Her most successful films of that decade include Bird of Paradise (1932), Flying Down to Rio (1933) and Madame Du Barry (1934).

María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (Spanish pronunciation: [doˈloɾes del ˈri.o]), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era.

After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles in a string of successful films, including Resurrection (1927), Ramona (1928) and Evangeline (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a ‘female Latin Lover’, in her years during the American silent era.

With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and romantic dramas. Her most successful films of that decade include Bird of Paradise (1932), Flying Down to Rio (1933) and Madame Du Barry (1934). In the early 1940s, when her Hollywood career began to decline, Del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak, during the Golden Age of Mexican Cinema.

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