Child 44
2008 thriller novel by Tom Rob Smith
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Key Takeaways
- Child 44 is a 2008 thriller novel by British writer Tom Rob Smith.
- Themes This novel, the first in a trilogy, takes inspiration from the crimes of Andrei Chikatilo, also known as the Rostov Ripper, the Butcher of Rostov, and the Red Ripper.
- In addition to highlighting the problem of Soviet-era crime in a state where "there is no crime", the novel explores the paranoia of the age, the education system, the secret police apparatus, the Holodomor, orphanages, homosexuality in the USSR and mental hospitals.
- Reception The New York Times called Child 44 a "tightly woven", "ingeniously plotted", "high-voltage story".
- Kirkus Reviews gave it a starred review, calling it "smashing"; "nerve-wracking pace and atmosphere camouflage wild coincidences".
Child 44 is a 2008 thriller novel by British writer Tom Rob Smith. It is the first novel in a trilogy featuring former MGB Agent Leo Demidov, who investigates a series of gruesome child murders in Joseph Stalin's Soviet Union.
Themes
This novel, the first in a trilogy, takes inspiration from the crimes of Andrei Chikatilo, also known as the Rostov Ripper, the Butcher of Rostov, and the Red Ripper. Chikatilo was convicted of and executed for committing 52 murders in the Soviet Union, though his crimes occurred after the Stalin era. In addition to highlighting the problem of Soviet-era crime in a state where "there is no crime", the novel explores the paranoia of the age, the education system, the secret police apparatus, the Holodomor, orphanages, homosexuality in the USSR and mental hospitals.
The second and third books in the trilogy, titled The Secret Speech (April 2009) and Agent 6 (July 2011), respectively, also feature the protagonist Leo Demidov and his wife, Raisa.
Reception
The New York Times called Child 44 a "tightly woven", "ingeniously plotted", "high-voltage story". The Sunday Telegraph praised it as a "memorable debut": "the atmosphere of paranoia and paralysing fear is brilliantly portrayed and unremittingly grim". Kirkus Reviews gave it a starred review, calling it "smashing"; "nerve-wracking pace and atmosphere camouflage wild coincidences". In The Observer, Peter Guttridge praised it as a "thrilling, intense piece of fiction".
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