Beth Carvalho
Brazilian singer, guitarist, cavaquinist, and composer (1946–2019)
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Key Takeaways
- Elizabeth Santos Leal de Carvalho (May 5, 1946 – April 30, 2019) was a Brazilian samba singer, guitarist, cavaquinist and composer.
- Her father, João Francisco Leal de Carvalho, was a lawyer.
- Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina.
- Following a 1967 album, "Muito Na Onda," with the project 'Conjunto 3D,' Carvalho did her first solo record, 1968's "Andança", and carried the song of the same name to victory in a larger festival, which brought her to prominence.
- Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.
Elizabeth Santos Leal de Carvalho (May 5, 1946 – April 30, 2019) was a Brazilian samba singer, guitarist, cavaquinist and composer.
Biography
Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19.
Following a 1967 album, "Muito Na Onda," with the project 'Conjunto 3D,' Carvalho did her first solo record, 1968's "Andança", and carried the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.
Carvalho is a very important artist in the history of samba, as she celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school was Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio.
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