Além do Tempo
Brazilian telenovela
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Key Takeaways
- Além do Tempo ( beyond time ; English title: Time After Time ) is a Brazilian telenovela that premiered on 13 July 2015 and ended 15 January 2016.
- Written by Elizabeth Jhin in conjunction with Eliane Garcia, Lílian Garcia, Duba Elia, Vinícius Vianna, Wagner de Assis and Renata Jhin; Além do Tempo is directed by Pedro Vasconcellos and Rogério Gomes.
- The series was Elizabeth Jhin's fifth for Globo, and like the others used the theme of life after death.
- Plot First phase: Campobello The first phase happens in the 19 century and portrays the history of an improbable love but so strong, that neither death nor time is capable to shake.
- He is about to walk down the aisle with the beautiful Melissa.
Além do Tempo (beyond time; English title: Time After Time) is a Brazilian telenovela that premiered on 13 July 2015 and ended 15 January 2016. It is created by Elizabeth Jhin. Written by Elizabeth Jhin in conjunction with Eliane Garcia, Lílian Garcia, Duba Elia, Vinícius Vianna, Wagner de Assis and Renata Jhin; Além do Tempo is directed by Pedro Vasconcellos and Rogério Gomes. Starring Alinne Moraes, Rafael Cardoso, Paolla Oliveira, Ana Beatriz Nogueira, Emilio Dantas, Irene Ravache, Letícia Persiles and Júlia Lemmertz.
The series was Elizabeth Jhin's fifth for Globo, and like the others used the theme of life after death. Jhin declares herself amazed at the public appetite for this topic; she identifies as a Catholic but sympathizes with Kardecist spiritism.
Plot
First phase: Campobello
The first phase happens in the 19 century and portrays the history of an improbable love but so strong, that neither death nor time is capable to shake. Lívia and Felipe are of distinct social classes: She is a humble, obliged young lady that lives in the city's convent while Felipe is a noble Earl, nephew-grandson of the powerful Countess Vitória. He is about to walk down the aisle with the beautiful Melissa.
Lívia and Felipe fall passionately in love at first sight. To live this passion seems impossible. Beyond the commitment of the Earl, Lívia discovers that she is granddaughter of a Countess, the greatest enemy of her mother, who provoked the separation of Bernardo, the only son of the noblewoman. Vitória does not accept the love that her heir felt for the artist mambembe, until he decides to live with the loved one and to open hand of all his wealth.
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