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Adolf Loos

Adolf Loos

Austrian and Czechoslovak architect and theorist of modern architecture

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2026-01-28Peak: 2132026-02-26
30-day total: 4,859

Key Takeaways

  • Adolf Franz Karl Viktor Maria Loos ( German: [ˈaːdɔlf ˈloːs] ; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, polemicist of modern architecture.
  • His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism.
  • His father, a stonemason who was almost deaf, died when he was 9 and played a role in Loos' interest in arts and crafts.
  • His lack of hearing contributed to his solitary personality.
  • Loos attended multiple colleges also due to his poor academics and changing interests, which provided him a diverse skillset for architecture.

Adolf Franz Karl Viktor Maria Loos (German: [ˈaːdɔlf ˈloːs]; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, polemicist of modern architecture. He was inspired by modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and postmodernism.

Loos was born in Brno to a family of sculptors and stonemasons. His father, a stonemason who was almost deaf, died when he was 9 and played a role in Loos' interest in arts and crafts. Loos later inherited his father's hearing impairment and other health-related issues. His lack of hearing contributed to his solitary personality. Loos had three tumultuous marriages that all ended in divorce, and was convicted as a pedophile in 1928.

Loos attended multiple colleges also due to his poor academics and changing interests, which provided him a diverse skillset for architecture. After leaving his last university, Loos visited America and was strongly impacted by the Chicago School of Architecture, inspired by "form follows function" philosophy of architect Louis Sullivan.

Loos then went on to write many literary pieces including the satirical piece The Story of a Poor Rich Man and his most popular manifesto, Ornament and Crime, which advocated for a lack of ornamentation, exemplified in his design of Looshaus, Vienna, in contrast to both the lavish decorations of the fin de siècle and the more modern aesthetic principles of the Vienna Secession.

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