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Éric-Emmanuel Schmitt

Éric-Emmanuel Schmitt

Franco-Belgian playwright

2 min read

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2026-01-29Peak: 2232026-02-27
30-day total: 2,884

Key Takeaways

  • Eric-Emmanuel Schmitt ( French pronunciation: [eʁik emanɥɛl ʃmit] ; born 28 March 1960) is a Franco-Belgian playwright, short story writer and novelist, as well as a film director.
  • Life Early years Eric-Emmanuel Schmitt's parents were teachers of physical education and sport, and his father later became a physiotherapist and masseur in paediatric hospitals.
  • His grandfather was an artisan jeweller.
  • According to Schmitt, however, it was philosophy that saved him and taught him to be himself and to feel that he was free.
  • Her son was moved to tears and the seeds of his passion for the theatre were sown.

Eric-Emmanuel Schmitt (French pronunciation: [eʁik emanɥɛl ʃmit]; born 28 March 1960) is a Franco-Belgian playwright, short story writer and novelist, as well as a film director. His plays have been staged in over fifty countries all over the world.

Life

Early years

Eric-Emmanuel Schmitt's parents were teachers of physical education and sport, and his father later became a physiotherapist and masseur in paediatric hospitals. He was also a French boxing champion while his mother was a medal-winning runner. His grandfather was an artisan jeweller.

The "Classiques & Contemporains" edition of La Nuit de Valognes (Don Juan on Trial) claims that Schmitt depicts himself as a rebellious teenager who detested received wisdom and was sometimes prone to violent outbursts. According to Schmitt, however, it was philosophy that saved him and taught him to be himself and to feel that he was free. One day, his mother took him to the Théâtre des Célestins to see a performance of Edmond Rostand's Cyrano de Bergerac starring Jean Marais. Her son was moved to tears and the seeds of his passion for the theatre were sown. After the show, he told his mother that he wanted to "be like the man on the poster"; his mother thought he meant the actor, Jean Marais, but he replied: "No!" and read out the name on the poster "Edmond Rostand". He then began to write. Later, he would say: "At sixteen, I realised (or decided) that I was a writer, and I wrote, produced and acted in my first plays at high school." To improve his style, he threw himself with frenzied zeal into exercises of pastiche and re-writing, especially Molière.

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